oil on canvas
101 x 82 cm (39 3/4 x 32 1/4 in.)

PROVENANCE
In Spain by the 19th century
Sands Johnson Collection, London
Their sale, Christie's, May 19-20, 1926, lot 314
Acquired at the above by R. Ward (£47)
Anonymous sale, Christie's, May 28, 1926, where acquired by Morson (£47)
A. Ruck Collection, London, 1929
Collection of J. Hamilton-Jones, London, 1958
Kleinberger & Co., Paris
Acquired at the above March 19, 1959 by Bob Jones University, Greenville, South Carolina, accession no. P.59.169.KI (label on verso)
Acquired from the above by Jack Tanzer of Knoedler & Co., Inc. on May 29, 1974, New York, inventory no. A9976 (label on verso)
Acquired from Knoedler by the spouse of the present owner
Thence by descent

LOT NOTES
The records from Bob Jones University reference that the authenticity of the painting has been accepted by Jose Guidol in 1961.

LITERATURE
August L. Mayer, Some Unknown Works by Zurbaran, Apollo: The International Magazine of the Arts, Volume 7 (April 1928), pages 180-181
Martin Soria, The Paintings of Zurbaran (London: Phaidon Press, 1953), pp.169-170, no. 147 (illustrated, fig. 102)
Ellen Johnson, "College Museum Notes," College Art Journal 19, no. 2 (Winter, 1959-1960): p. 171 (illustrated, fig. 5)
Jose Guidol, Art Quarterly (Spring 1960), p. 94
Paul Guinard, Zurbaran et les peintures espagnols de la vie monastique (Paris : Ed. du Temps, 1960), p. 219, no. 89

CONDITION
Observed in frame, the painting is in overall age appropriate condition. The canvas is re-lined. Overall craquelure visible to the naked eye. Scattered nicks to the perimeter. Inspection under UV shows an uneven layer of varnish with scattered overall fluorescence underneath. Atop the varnish layer, a rectangular area of retouching measuring 4 x 3 cm to the bottom right of the veil. Visible termite damage to the wooden frame.

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