Description:

ROBERT DELAUNAY (FRENCH 1885-1941)

Study for Tour Eiffel, circa 1910-1911
ink and pastel on tracing paper
full sheet measuring 27 x 20 cm (10 5/8 x 7 7/8 in.)
signed lower right

PROVENANCE
Estate of Sonia Delaunay
Private collection, France
With Galerie Cazeau-Beraudiere, Paris
With Nathan A. Bernstein & Co. LTD., New York
Acquired at the above by the present owner

LOT NOTES
Robert Delaunay was born in Paris in 1885, at an early age Delaunay studied Decorative Arts in the Belleville District of Paris, at the age of nineteen, his focus shifted to painting, later he would contribute six works to the Salon des Independants in 1904. Later in 1906 after traveling to Brittany where he was influenced by the artistic group of Pont-Aven, he submitted works to the 22nd Salon des Independants, here is where he met Henri Rousseau. Delaunay formed a close relationship to Jean Metzinger famed 20th century French painter [theorist, writer, critic and poet] who experimented with different faceting of forms, which would later be known as Cubism. Delaunay and Metzinger shared a exhibition at a gallery run by Berthe Weill in 1907, during this time both artists were singled out by art critic Louis Vauxcelles calling them "Divisionists" who used larged, mosaic-like 'cubes' to construct small but highly detailed compositions. Metzinger and Delaunay worked closely together, often painting together from 1906-1907, during this time they would develope a new sub-style known of Neo-Impressionism. At the height of Delaunay's career he painted a number of series, Saint-Sevrin series (1909-1910), City series (1909-1910), Eiffel Tower series (1909-1912), City of Paris series (1911-1912), Window series (1912-1914), Cardiff series (1913), Circular Forms series (1913), and lastly The First Disk series (1913). Delaunay's Eiffel Tower series represented solid objects becoming fragmented merging with the space. In Delaunday's Eiffel Tower series, influnced by Cezanne, Analytical Cubism and Futurism, the tangiable object and the surround space are accompanied by an intense movement of geometrical planes. Delaunay was successful in Germany, Switzerland and Russia, participating in the first Blanc Reiter exhibition in Munich selling four works. In 1912 Delaunay had his first major exhibition in Paris, showing forty-six works from his early Impressionist works to his Cubist Eiffel tower. From 1914-1920 Robert and wife Sonia retreated to Spain, settling in Madrid, after 1921 Delaunay returned to Paris, in October of 1941 Delaunday died at the age of 56 from cancer. Delaunay's work can be viewed at The Musee National d'Art Moderne in Paris, the Neue Nationalgalerie in Berlin, the Bilbao Fine Arts Museum in Spain, Kunstmuseum Basel in Switzerland, Palais des Beaux-Arts de Lille in France, the Guggenhiem Museum, New York City, the Museum of Modern Art, New York City and many more.

CONDITION
The work appears in good stable condition. Minor discoloration and scuffs to the perimeter of the brown paper. Endemic creases to the tracing paper. A crease to the upper left corner, small tear to the left lower edge of the tracing paper. The tracing paper is hinged in two places at the top. The brown paper is hinged in two places at the top.

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April 24, 2021 10:00 AM EDT
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