Description:

YURI ZORKO (RUSSIAN B. 1937)
Vuktyl Gas Workers, 1978-79
oil on canvas
149.5 x 164 cm (58 7/8 x 64 5/8 in.)
signed, dated, and inscribed on verso

PROVENANCE
Jurii Maniichuk and Rose Brady Collection

EXHIBITED
New York, Ukrainian Institute of America, Ukrainian Socialist Realism: The Jurii Maniichuk and Rose Brady Collection, September 14-October 7, 2012 (illustrated on p. 53 of the exhibition catalogue); Faces of Ukraine, 1950-1980: Highlights of the Jurii Maniichuk and Rose Brady Collection, June 5-July 3, 2014

LITERATURE
Jurii Maniichuk, Realism and Socialist Realism in Ukrainian Painting of the Soviet Era (Kiev: LK Maker, 1998), p. 149 (illustrated)

LOT NOTES
Yuri Valentinovich Zorko, born in Russia, is Ukrainian genre and still life painter. After graduating from the Krasnodar Arts School (1961), he studied under V. Gladkiy and B. Stashevskiy at the Donetsk School of Artist-Designers (1962-1966). In 1972, Zorko was accepted to the Artist's Union of Ukraine, and would later go on to become a board member of the Donetsk chapter of the National Artists' Union of Ukraine (1985-1991, 1995-). In addition, Zorko has been the head of the "Donetsk Plein Air" art group since founding it in 1999.
In Vuktyl Gas Workers, twisting pipes and yellow- and fuschia-speckled steel cylinders are scaled to a near-miniature size, heightening the worker's stature and role in the industry. The painting, though reminiscent in theme and the use of bright color of Yuri Pimenov's 1927 Give All to Heavy Industry! and other such artistic tributes to burgeoning industrialism, is executed with Seurat-esque chromoluminarism rarely seen in Socialist Realist works.

The following lots come from the collection of the Ukrainian-born American lawyer Jurii Maniichuk (1955-2009), who amassed nearly 150 large-scale pieces of Ukrainian Socialist Realism of the 1950s-1980s. Maniichuk acquired these paintings (primarily from working artists or their heirs) while working in Kiev as a legal consultant for the World Bank in the 1990s, and brought them to the U.S. in 1999. With UkraineÕs newfound independence from the USSR in 1991, Socialist Realism fell out of favor with collectors and curators. Recognizing their historical value and aesthetic appeal, Maniichuk made it his preeminent goal was to preserve the paintings for future study and appreciation. As part of that effort, his widow, Rose Brady, now the collectionÕs owner, lent nearly half of the collection long-term to the Ukrainian Institute of America in New York (2012-2018). Select works have also been featured at the Brooklyn Museum ( Russian Modern, 2011-2016), at East West Fine Art (formerly known as Gallery on Fifth) in Naples, Florida ( We the People. Everyday Life in Post-Soviet Union and modern-day Southwest Florida, November 29-December 20, 2014; Rescued from the Flames, Soviet Era Social Realist Paintings from the Collection of Jurii Maniichuk and Rose Brady, December 2013-January 2014), and at Florida Gulf Coast University in Fort Myers, Florida ( Ukraine: The Maniichuk-Brady Collection of Socialist Realist Art, August 27-December 4, 2015).

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