Description:

NIKOLAI KONSTANTINOVICH ROERICH (RUSSIAN 1874-1947), Tangla, 1928-29
tempera on panel
21.2 x 27 cm (8 3/8 x 10 5/8 in.)
dated and numbered on the reverse: N66 1928-29 (in Roerich`s hand)

PROVENANCE
Collection of the Roerich Museum, New York, 1929-1935
Collection of Louis and Nettie Horch, New York, from 1935
Private Collection, USA
Christie`s, New York, April 18 2008, Lot 62

LITERATURE:
Roerich Museum Catalogue, New York, 1930, p. 37, no. 983: as Thang-La

This small piece was painted soon after Nicholas Roerich completed his Central Asian expedition. During its last phase (April, 1927-May, 1928) the expedition started out from Urga (Ulaanbaator), Mongolia, crossed the Gobi desert and the Tibetan Plateau from north to south, finally reaching Darjeeling, India. They crossed the Tangla range in the first days of October 1927. Roerich`s son George recorded in his diary: "The ascent was long but not too steep... The Pass of Thang La is believed to be the abode of some thirty-three gods or heavenly denizens, and our Mongols and Tibetans said that it was an auspicious sign that we were crossing the pass on an exceptionally fine day. There is a firm belief among the caravaneers of Tibet, that whenever an undesirable person comes into Tibet, a scornful wind blows over the pass and the unlucky travelers freeze on the icy slopes of the mountain." Tangla became one of Roerich`s favorite subjects. There was something special about this range, something relating to his quest for Shambhala. He painted Tangla more than dozen times, calling them "The Greatest and Holiest", "The Sacred", "Song of Shambhala". Usually he painted the whole range from a faraway vantage point, while the present lot is a scene from somewhere along the pass. Roerich vigorously captures the dramatic mountains with the immediacy of an eyewitness.

This lot was sold at 2008 at Christie`s auction in New York under the title A leaf from the Tibetan album. The latest discoveries allow us to identify the artist`s number 66 (on reverse) with more precision as referring to Tangla, listed under no. 983 in Roerich Museum Catalogue, 1930.

We would like to thank Gvido Trepša, Senior Researcher at Nicholas Roerich Museum, New York, for providing catalogue information.

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November 16, 2013 10:00 AM EST
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