Description:

MICHEL FRERE (BELGIAN 1961-1999)
Untitled , 1996
oil on canvas
106 x 177 cm (41 3/4 x 69 3/4 in.)
initialed and dated on verso

PROVENANCE
Collection of Richard Milazzo (label on stretcher)
Sidney Janis Gallery, New York (label on stretcher)

LOT NOTES
Michel Frere was a Belgian abstract expressionist artist related to Informalist European postwar movements and groups, such as CoBrA, tachisme, and materialisme. Frere, with his rambunctious, large-scale canvases, viewed his work as a development of the ideas of artists such as Gustave Courbet (whom he loved for his landscapes), James Ensor and Eugène Leroy. Like other “materialist” artists - a term coined by art critic Michel Tapies to describe a certain kind of outsider art, or art brut, as it is known in Europe - including Jean Debuffet, Antoni Tapies and Lucio Fontana, Frere paid a great amount of attention to the surface qualities and presence of his works, often with the inclusion of unconventional painting materials. This piece, created in 1996, embodies both the artist’s love of landscape and his insistence upon a kind of literal substantiality. The pastose, weighty convergence of aubergine-browns, light greens, ochres, and a touch of cerulean, pays homage to the painterly outdoor scenes of the Barbizon school, and produces some of his most recognizable work.

The following painting comes from the collection of art critic, publisher, poet and curator Richard Milazzo, author of a catalogue on Michel Frere and curator of several shows Sidney Janis Gallery, one of the most prominent platforms for avant-garde art in postwar New York. The Gallery, opened in 1948 and founded by eponymous art collector and entrepreneur Sidney Janis along with wife Harriet Janis, represented the likes of Lichtenstein, Warhol, Rosenquist and Oldenburg, and held exhibitions of Fauvist, Dada, Surrealist and De Stijl artists: Matisse, Mondrian, Giacometti, Arp, Leger. The Sidney Janis Gallery is perhaps best known for furthering the now-illustrious Abstract Expressionists, such as de Kooning and Pollock, and subsequently, the Pop Artists (the aforementioned Lichtenstein and Warhol) in its influential 1962 exhibition titled The New Realists.

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