Description:

ANTOKOLSKY MARK MATVEEVICH (RUSSIAN 1843-1902), [A signed letter to the members of the Northwestern Literary and Historical Society, Sioux City, Iowa], St. Petersburg, June 23-July 4, 1886, 2 pp., 4to. Text in French.

LOT NOTES
Mark Antokolsky, born Morduch Matusovych Antokolsky in Vilnus, was a prolific Russian Realist sculptor of Jewish origin. One of eight children, Mark, to the disapproval of his parents, exhibited a proclivity for drawing at an early age. Thanks to the patronage of the wife of the local governor-general, Antokolsky was able to audit sculpture classes at the Imperial Academy of the Arts. In 1870, he completes his first monumental work — a sculpture of Ivan III (better known by the sobriquet "the Terrible") — for which he is immediately awarded the highest title of an academician by the Academy’s council. Grand Duchess Maria Nikolaevna of Russia, president of the Imperial Academy of the Arts, was taken with the work. She recommended the young sculptor to her brother, Emperor Alexander II, who, sharing his sister`s appreciation, purchased the piece for 8,000 rubles — an enormous sum at the time. Upon graduating the Academy in 1871, Antokolsky traveled to Rome and Paris, where he continued working on large-scale Realist projects. Several years later, he exhibited at the 1878 Exposition Universelle in Paris, accruing both its highest accolade and the Legion of Honor. Soon he was made an honorary member of academies around Europe: those of Vienna, Berlin, London, and others. Antokolsky was also an involved writer, publishing articles on art in magazines such as Vestnik Evropy [Messenger of Europe] as well as completing a novel on Jewish life titled Ben-Isaac. Antokolsky died at age fifty-eight in Frankfurt, following a sudden episode of his chronic disease.
In his letter, Antokolsky first thanks the members of the Northwestern Literary and Historical Society for the honor they have paid him in nominating him a member of their society and hopes some day to be able to come to America. Should he do so, he would hope to travel to see them. He comments on cordial feelings between Russia and America and hopes they will remain so.

PROVENANCE INFORMATION
This lot comes from the collection of Viktor Kholodkov (1948-2015), who fulfilled his passion for books, avant-garde design and paper memorabilia by devoting his life to collecting and dealing of prominent works of Russian graphic art of the first half of the 20th century. The dedicated collector acquired a multitude of books and artworks throughout decades, meticulously labeling and archiving every single item. Many came directly from the most preeminent artists of the time, as well as from their families and estates. He also possessed a vast number of drawings from the famous collection of another avant-garde enthusiast, Nikolai Khardzhiev. After leaving the USSR in 1989 and settling in California, Viktor continued his work as a Soviet art dealer and critic, actively publishing various articles and contributing to several major Russian avant-garde exhibitions across the U.S., such as the 1991 Russia Under Fire in the 40s on the West Coast and the 1992 Guggenheim exhibition The Great Utopia: The Russian and Soviet Avant-Garde. Kholodkov also contributed to the archives of the biggest American institutions. His sophisticated selection of over 2000 Russian sheet music covers was acquired by The Library of Congress, and an extensive amount of material related to VKhUTEMAS is now at the J. Paul Getty Museum.

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