Description:

ISMAIL GUSEJN OGLY AKHUNDOV (AZERBAIJANI 1907-1969), Factory worker, c. 1930s, ink on paper, 29.2 x 21 cm (11 1/2 x 8 1/3 in.)

LOT NOTES
Akhundov was a well-known Azerbaijani (Soviet) avant-garde graphic and theatre artist. He was an active member of the "October" group, along with the Klutsis, Lissitzky, Meyerhold, Rodchenko, Eisenstein, the Vesnin and Stenberg brothers. Born in 1907 near Baku. In 1921 he entered the Baku Pedagogical School, and, upon graduating, studied at the Azerbaijani Art School (1924-1928). At this time, he worked as a caricaturist for the satirical Azerbaijani publication Molla Nasraddin, and later entered the Moscow State University of Printing Arts. After graduating in 1932, Akhundov returned to Baku, where he headed the department of graphic design at the Azerbaijani State Art School. In 1937-1940 he served as the director of the State Art School, and in 1940 became the director and chief artist at the Nizami Museum of Azerbaijani Literature. In the 1930s and 1940s Akhundov worked primarily in graphic design, particularly book illustration. From 1937 onwards he worked as a costume and stage designer for a number of Azerbaijani theaters, (most notably the Meshadi Azizbekov Azerbaijan State Drama Theater), as well as in film. During World War II he participated in so-called "art-brigades", in which artists traveled to the war front to capture current events. At the end of the war Akhundov became the chief artist for "Soviet Azerbaijan", made chiefly for Soviet citizens in Iranian Azerbaijan. In the late 1940s to mid-1960s Akhundov was the chief artist of the Azerbaijani pavilion at VDNKh, and was responsible for post-war reconstruction work. In 1952 Akhundov became one of the founders and editors of the satirical publication "Kirpi" ("Hedgehog"). The 1960s were a productive period for the artist, when he again returned to designing costumes for plays. Akhundov earned many awards during his lifetime, including the State Stalin Prize (awarded 1950) and the title "People’s Artist of Azerbaijan" (1960).

PROVENANCE INFORMATION
This lot comes from the collection of Viktor Kholodkov (1948-2015), who fulfilled his passion for books, avant-garde design and paper memorabilia by devoting his life to collecting and dealing of prominent works of Russian graphic art of the first half of the 20th century. The dedicated collector acquired a multitude of books and artworks throughout decades, meticulously labeling and archiving every single item. Many came directly from the most preeminent artists of the time, as well as from their families and estates. He also possessed a vast number of drawings from the famous collection of another avant-garde enthusiast, Nikolai Khardzhiev. After leaving the USSR in 1989 and settling in California, Viktor continued his work as a Soviet art dealer and critic, actively publishing various articles and contributing to several major Russian avant-garde exhibitions across the U.S., such as the 1991 Russia Under Fire in the 40s on the West Coast and the 1992 Guggenheim exhibition The Great Utopia: The Russian and Soviet Avant-Garde. Kholodkov also contributed to the archives of the biggest American institutions. His sophisticated selection of over 2000 Russian sheet music covers was acquired by The Library of Congress, and an extensive amount of material related to VKhUTEMAS is now at the J. Paul Getty Museum.

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