Description:

KIBRIK EVGENY ADOLFOVICH (RUSSIAN 1906-1978), Peace reigns in Berlin: the cover of the magazine “The Young Proletarian” to the tenth anniversary of the Berlin Uprising, 1928, autolitography, matted, 28.8 x 21.5 cm (11 1/3 x 8 1/2 in.), mat size 36.5 x 30 cm (14 1/3 x 11 5/6 in.), inscribed on verso

LOT NOTES
Evgeny Kibrik was one of the inflential Soviet graphic artists of the beginning of the 20th Century. Originally studying at the Odessa Art Institute (1922-25), he would later study with Petrov-Vodkin at VkhuTEIN. Kibrik was an important disciple of Pavel Filonov and a member of the "Masters of Analytical Art " group from 1926-1930. His early works show a great deal of Filonov's influence, which can also be seen here in the wonderful realistic yet abstract combination. Kibrik was also one of the founders of the artist group IzoRAM. Unfortunately, he would go on to publicly critique his former teacher Filonov as the political demands of offical Socialist Realist took hold. His later work, for which he was highly lauded by the Soviet art establishment, was Socialist Realist in nature. The present lot, therefore, is an especially rare and powerful example of Kibrik's work as an exemplary artist of the Filonov school.

PROVENANCE INFORMATION
This lot comes from the collection of Viktor Kholodkov (1948-2015), who fulfilled his passion for books, avant-garde design and paper memorabilia by devoting his life to collecting and dealing of prominent works of Russian graphic art of the first half of the 20th century. The dedicated collector acquired a multitude of books and artworks throughout decades, meticulously labeling and archiving every single item. Many came directly from the most preeminent artists of the time, as well as from their families and estates. He also possessed a vast number of drawings from the famous collection of another avant-garde enthusiast, Nikolai Khardzhiev. After leaving the USSR in 1989 and settling in California, Viktor continued his work as a Soviet art dealer and critic, actively publishing various articles and contributing to several major Russian avant-garde exhibitions across the U.S., such as the 1991 Russia Under Fire in the 40s on the West Coast and the 1992 Guggenheim exhibition The Great Utopia: The Russian and Soviet Avant-Garde. Kholodkov also contributed to the archives of the biggest American institutions. His sophisticated selection of over 2000 Russian sheet music covers was acquired by The Library of Congress, and an extensive amount of material related to VKhUTEMAS is now at the J. Paul Getty Museum.

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