Description:

VECHER POEZII I MUZYKI [Evening of Poetry and Music], (Tiflis: Tipo-litografiya kazennyh Gruzinskih zheleznyh dorog, 1918), 39 x 16.5 cm (15 1/4 x 6 1/2 in.). Featuring Futurists Aleksey Kruchenykh, Vasiliy Katanyan, Igor Terentyev, Nikolai Cherepnin, Ilya Zdanevich, et al.

PROVENANCE INFORMATION
The poster was acquired directly from the archive of Igor Gerasimovich Terentiev (Russian 1892-1941), an avant-garde Soviet poet, artist, and theatre producer. One of the founders of the "41°" Tiflis-based Futurist collective along Kruchenykh and Ilya and Kirill Zdanevich (1918), a student of Gurdjieff, and an associate of Mayakovsky and Rodchenko in LEF and of Malevich, Matyushin, and Tatlin in GINKhUK (1923), Terentiev was an influential figure in the Russian avant-garde movement. German Slavist Wolfgang Kasack dubbed Terentiev the "younger brother" of Russian Futurism. Born in 1892 in Pavlograd, (present-day Ukraine), he enrolled at the Kharkov University to study law. After transferring to the Moscow State University, from which he graduated in 1914, Terentiev married and left for Tiflis (1916), where he would go on to found "41°" with Kruchenykh and the brothers Zdanevich. In 1922, Terentiev attempted to emigrate to France, but was turned back. Throughout the 1920s, he remained active in Petrograd, where he worked at GINKhUK, the Red Theatre Agitstudio, and founded the experimental Printing House Theatre (which toured at the Meyerhold Theatre and even received a positive review from Narkompros Anatoly Lunacharsky). After 1928 Terentiev returned to Ukraine and continued to direct plays. In 1931, he was arrested in Dnepropetrovsk on charges of counter-revolutionary activity, sentenced to five years on the Belomorkanal, and released early, in 1934. In Moscow, attempts to work in theatre and direct films were unsuccessful. In 1937, Terentiev was arrested again and shot in the Moscow Butyrskaya Prison.

This lot comes from the collection of Viktor Kholodkov (1948-2015), who fulfilled his passion for books, avant-garde design and paper memorabilia by devoting his life to collecting and dealing of prominent works of Russian graphic art of the first half of the 20th century. The dedicated collector acquired a multitude of books and artworks throughout decades, meticulously labeling and archiving every single item. Many came directly from the most preeminent artists of the time, as well as from their families and estates. He also possessed a vast number of drawings from the famous collection of another avant-garde enthusiast, Nikolai Khardzhiev. After leaving the USSR in 1989 and settling in California, Viktor continued his work as a Soviet art dealer and critic, actively publishing various articles and contributing to several major Russian avant-garde exhibitions across the U.S., such as the 1991 Russia Under Fire in the 40s on the West Coast and the 1992 Guggenheim exhibition The Great Utopia: The Russian and Soviet Avant-Garde. Kholodkov also contributed to the archives of the biggest American institutions. His sophisticated selection of over 2000 Russian sheet music covers was acquired by The Library of Congress, and an extensive amount of material related to VKhUTEMAS is now at the J. Paul Getty Museum.

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