Description:

FALILEEV VADIM DMITRIEVICH (RUSSIAN 1879-1948), Church of Peter and Paul in Yaroslavl, 1915, etching, 29 x 24 cm (11 2/5 x 9 1/2 in.), plate mark measuring 19.3 x 14 cm (7 2/3 x 5 1/2 in.), signed and dated lower middle, inscribed lower right

LOT NOTES
Falileev was a Russian (Soviet) painter and graphic artist who studied at the Penza Art College (1899-1901), Kiev Art College (1901-1902), as well as the Academy of Arts under the guidance of Tsionglinsky, Zaleman and Myasoedov. In 1905 he began to master the engraving with Mate, which later became his specialization. For excellent performance in the Academy, Falileev got the right to travel abroad for free. He visited Rome, Venice, Florence and Capri. During this time he created a large number of prints after original paintings. In 1913 Falileev went to the relatives on Volga, where he lived and worked for the next three years and created the following etching. He exhibited his works with such societies as “World of Art”, “Zhar-Color”, Association of Artists of Revolutionary Russia and others. In 1918 Falileev was invited as a professor to the Stroganov Art and Industrial School and in 1920-1924 he held the position of dean of the graphic faculty and professor of lithograph workshop in VKhUTEMAS. In May 1924 Falileev migrated to Stockholm, in 1926 – to Berlin, after what he settled in Rome in 1928. In 1924-1925 his works were exhibited as a part of the Mobile Exhibition of Russian Art in the USA and Canada and in 1925 Falileev was awarded with a gold medal at the International Exhition of Decorative Arts in Paris.

PROVENANCE INFORMATION
This lot comes from the collection of Viktor Kholodkov (1948-2015), who fulfilled his passion for books, avant-garde design and paper memorabilia by devoting his life to collecting and dealing of prominent works of Russian graphic art of the first half of the 20th century. The dedicated collector acquired a multitude of books and artworks throughout decades, meticulously labeling and archiving every single item. Many came directly from the most preeminent artists of the time, as well as from their families and estates. He also possessed a vast number of drawings from the famous collection of another avant-garde enthusiast, Nikolai Khardzhiev. After leaving the USSR in 1989 and settling in California, Viktor continued his work as a Soviet art dealer and critic, actively publishing various articles and contributing to several major Russian avant-garde exhibitions across the U.S., such as the 1991 Russia Under Fire in the 40s on the West Coast and the 1992 Guggenheim exhibition The Great Utopia: The Russian and Soviet Avant-Garde. Kholodkov also contributed to the archives of the biggest American institutions. His sophisticated selection of over 2000 Russian sheet music covers was acquired by The Library of Congress, and an extensive amount of material related to VKhUTEMAS is now at the J. Paul Getty Museum.

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