Description:

DESNITSKIY BORIS MATVEEVICH (RUSSIAN 1903-1985)

comprising:

1. [ Roma Male Costume], 1934, gouache on thick paper, 34 x 28.2 cm (13 3/8 x 11 1/8 in.), inscribed with character name upper right, signed, dated, and inscribed in pencil on verso
2. Mot`ka, 1934, gouache on thick paper, 32 x 30 cm (12 5/8 x 11 13/16 in.), inscribed with character name lower and upper right, signed, dated, and inscribed in pencil on verso
3. [ Woman in brown dress (recto), Likely ball scene from Eugene Onegin (verso)], 1932, gouache on thick paper (recto), ink and watercolor on paper (verso), 32.7 x 28.5 cm (12 7/8 x 11 1/4 in.), inscribed and dated lower right as well as signed in pencil on verso
4. [ Design for Eugene Onegin, [1933], double-sided, gouache on thick paper (recto), ink on thick paper (verso), 33 x 29 cm (13 x 11 7/16 in.), signed in pencil on verso

LOT NOTES
Boris Desnitskiy was a Russian (Soviet) artist and graphic artist, best known for his theatre designs. Born in 1903 in Vladivostok to a noble family. At sixteen, his father was shot by soldiers of the Red Army for being a counter-revolutionary and his mother hanged herself while in prison. In 1923 he enrolled in an land-planning school, which he soon left to dedicate more time to his artwork at a school in Saratov. In 1929 he moved to Moscow and worked for various publishing houses as a book illustrator as well as a designer of exhibitions. In the 1930s he began to collaborate with the ‘’Romen’’ theatre in Moscow, the oldest and the most famous of Romani theatres in the world. In 1933 Desnitskiy was invited to the State Belarusian Theatre of Opera and Ballet, where his wife was the director of the ballet. In 1937 the artist was arrested by the NKVD on charges of espionage, after which he was deported to Sevvostlag (a GULAG in Kolyma, Siberia). He spent 8 years in exile, eventually working his way to being a book illustrator in Magadan. In 1944 one such book was published, but since he was a prisoner, Desnitsky’s name was not mentioned. At this time, he and his wife write letters for retrial, writing even to Stalin. He was freed in 1945 and rehabilitated in 1955. After returning to Moscow Desnitskiy continued to work in book design and illustrate children’s books until his death in 1985. The above works were made for the opera ‘’Eugene Onegin’’ (Aleksandr Pushkin, Pyotr Tchaikovsky), staged in 1933 at the State Belarusian Theatre of Opera and Ballet.

PROVENANCE INFORMATION
This lot comes from the collection of Viktor Kholodkov (1948-2015), who fulfilled his passion for books, avant-garde design and paper memorabilia by devoting his life to collecting and dealing of prominent works of Russian graphic art of the first half of the 20th century. The dedicated collector acquired a multitude of books and artworks throughout decades, meticulously labeling and archiving every single item. Many came directly from the most preeminent artists of the time, as well as from their families and estates. He also possessed a vast number of drawings from the famous collection of another avant-garde enthusiast, Nikolai Khardzhiev. After leaving the USSR in 1989 and settling in California, Viktor continued his work as a Soviet art dealer and critic, actively publishing various articles and contributing to several major Russian avant-garde exhibitions across the U.S., such as the 1991 Russia Under Fire in the 40s on the West Coast and the 1992 Guggenheim exhibition The Great Utopia: The Russian and Soviet Avant-Garde. Kholodkov also contributed to the archives of the biggest American institutions. His sophisticated selection of over 2000 Russian sheet music covers was acquired by The Library of Congress, and an extensive amount of material related to VKhUTEMAS is now at the J. Paul Getty Museum.

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