Description:

BUCCI ANSELMO (Italian 1887-1955), III Mostra Internazionale Delle Arti Decorative Nella Villareale Di Monza 1927, Il Attesta LÕammissione, E La Partecipazione di B. Corolev, 1927, lithography, full sheet measuring 39 x 55 cm ( 15 x 21 in.), image size 25 x 39 cm (9 x 15 in.), signed lower left.

LOT NOTES
Anselmo Bucci was an Italian painter and printmaker. In 1922, he fell in with the movement for a "return to order" of the Novecento Italiano in the post-war period, and took part in a joint exhibition at the Venice Biennale, first at the 12th Esposizione Internazionale dÕArte di Venezia in 1920 and then again in 1924, on which occasion one of his works was bought for the cityÕs gallery of modern art. One of the founding members of the Sette pittori del Novecento Italiano, he took part in the groupÕs first show in 1926 but not the second. During the 1930s, when he divided his time between Milan and Paris, Neoclassical rigidity gave way to greater freedom in his painting. It was in 1938 that he produced the fresco Italian Civilization Putting an End to Slavery for the Palazzo di Giustizia in Milan.

PROVENANCE INFORMATION
This lot comes from the collection of Viktor Kholodkov (1948-2015), who fulfilled his passion for books, avant-garde design and paper memorabilia by devoting his life to collecting and dealing of prominent works of Russian graphic art of the first half of the 20th century. The dedicated collector acquired a multitude of books and artworks throughout decades, meticulously labeling and archiving every single item. Many came directly from the most preeminent artists of the time, as well as from their families and estates. He also possessed a vast number of drawings from the famous collection of another avant-garde enthusiast, Nikolai Khardzhiev. After leaving the USSR in 1989 and settling in California, Viktor continued his work as a Soviet art dealer and critic, actively publishing various articles and contributing to several major Russian avant-garde exhibitions across the U.S., such as the 1991 Russia Under Fire in the 40s on the West Coast and the 1992 Guggenheim exhibition The Great Utopia: The Russian and Soviet Avant-Garde. Kholodkov also contributed to the archives of the biggest American institutions. His sophisticated selection of over 2000 Russian sheet music covers was acquired by The Library of Congress, and an extensive amount of material related to VKhUTEMAS is now at the J. Paul Getty Museum.

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