Description:

KOROLEV BORIS DANILOVICH (RUSSIAN 1884-1963), [Shooting], charcoal on thick paper, 52 x 39.5 cm (20 1/2 x 15 5/9 in.), inscribed on verso

LOT NOTES
Boris Korolev was a Russian (Soviet) sculptor-monumentalist, professor and public figure. As an artist Korolev stood at the origins of the mainstream Soviet school of sculpture, remaining, at the same time, one of the leading figures in the avant-garde movement. In his own sculptural works Korolev combined Realism with elements of Impressionism and Cubism. Born in Moscow and educated at the Moscow School of Painting, Sculpture and Architecture under Sergei Volnoukhin, Korolev was a committed revolutionary, deported twice for his political activity, and a leading figure of avant-garde sculpture in revolutionary Russia. He played a prime role in the execution of Lenin's Monumental Propaganda Plan of April 1918, which encouraged the destruction of Tsarist monuments and the rapid production of Soviet-themed sculptures and bas-reliefs. Unfortunately, Korolev’s rapidly-produced 1919 concrete statue of Mikhail Bakunin, done in a Cubo-Futurist style and set up in Moscow, proved to be deeply unpopular and was dismantled within weeks. Despite changing tastes, Korolev continued working in Cubist style into the 1920s, and became professor of sculpture at VKhUTEMAS. The 1950s proved a difficult period in Korolev’s life — considered a ‘’formalist’’ by the state, he struggled to exhibit his work and was forced to cease his pedagogical career. He spent much of his later life in the Novo-Abramtsevo Artist Settlement, working on sculptures dedicated to historical and contemporary figures. The Abramtsevo Museum Estate holds many of these late works in its collection. In 2009, Boris Korolev was the subject of a major retrospective at the Tretyakov Gallery.Getty Research Institute acquired 133 items from his archive in 1990’s.

PROVENANCE INFORMATION
This lot comes from the collection of Viktor Kholodkov (1948-2015), who fulfilled his passion for books, avant-garde design and paper memorabilia by devoting his life to collecting and dealing of prominent works of Russian graphic art of the first half of the 20th century. The dedicated collector acquired a multitude of books and artworks throughout decades, meticulously labeling and archiving every single item. Many came directly from the most preeminent artists of the time, as well as from their families and estates. He also possessed a vast number of drawings from the famous collection of another avant-garde enthusiast, Nikolai Khardzhiev. After leaving the USSR in 1989 and settling in California, Viktor continued his work as a Soviet art dealer and critic, actively publishing various articles and contributing to several major Russian avant-garde exhibitions across the U.S., such as the 1991 Russia Under Fire in the 40s on the West Coast and the 1992 Guggenheim exhibition The Great Utopia: The Russian and Soviet Avant-Garde. Kholodkov also contributed to the archives of the biggest American institutions. His sophisticated selection of over 2000 Russian sheet music covers was acquired by The Library of Congress, and an extensive amount of material related to VKhUTEMAS is now at the J. Paul Getty Museum.

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