Description:

KOROLEV, BORIS DANILOVICH (RUSSIAN 1884-1963), Chess of Life, 1916, watercolor and pencil on paper, 41.5 x 33 cm (16 3/8 x 13 in), signed on verso.

LOT NOTES
Boris Korolev was a Soviet sculptor-monumentalist, teacher and public figure. As an artist Korolev stood at the origins of the Soviet school of sculpture, its mainstream, but he also was one of the leading figures in the avant-garde movement. In 1920s he played a prime role in the realization of Lenin's plan of monumental propaganda. In his own sculptural works Korolyóv combined Realism with elements of Impressionism and Cubism. Born in Moscow and educated at the Moscow School of Painting, Sculpture and Architecture under Sergei Volnukhin, Korolev was a committed revolutionary, deported twice for his political activity, and a leading figure of avant-garde sculpture in revolutionary Russia. He was an active participant in the execution of Lenin's Monumental Propaganda Plan of April 1918, which encouraged the destruction of Tsarist monuments and the rapid production of Soviet-themed sculptures and bas-reliefs. Unfortunately Korolev's rapidly produced 1919 concrete statue of Mikhail Bakunin, done in a Cubo-Futurist style and set up in Moscow, proved to be deeply unpopular and was dismantled within weeks. Despite changing tastes, Korolev continued working in Cubist style into the 1920s, and became professor of sculpture at the Soviet state art school, Vkhutemas. In 2009 he was the subject of a major retrospective at the Tretyakov Gallery.

PROVENANCE INFORMATION
The current lot comes from the collection of the esteemed collector and art critic Viktor Kholodkov (1948-2015), who fulfilled his passion for books, avant-garde design and paper memorabilia by devoting his life to collecting and dealing of prominent works of Russian graphic art of the first half of the 20th century. Kholodkov acquired a multitude of books and artworks throughout the decades, meticulously labeling and archiving every single item. Many came directly from the most preeminent artists of the time, as well as from their families and estates. He also possessed a vast number of drawings from the famous collection of another avant-garde enthusiast, Nikolai Khardzhiev. After leaving the USSR in 1989 and settling in California, Viktor continued his work as a Soviet art dealer and critic, actively publishing various articles and contributing to several major Russian avant-garde exhibitions across the U.S., such as the 1991 exhibition Russia Under Fire in the 40s on the West Coast and the 1992 Guggenheim exhibition The Great Utopia: The Russian and Soviet Avant-Garde. Kholodkov also contributed to the archives of the biggest American istitutions. His unique selection of over 2000 Russian sheet music covers was acquired by The Library of Congress, and an extensive amount of material related to VKhUTEMAS is now at the J. Paul Getty Museum.

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