Description:

CHEREMNYKH, MIKHAIL MIKHAILOVICH (RUSSIAN 1890-1962), Anti-Religious Drawing, circa 1920s, gouache on paper, 32 x 24 cm (12 1/2 x 9 1/2 in), signed on front.

LOT NOTES
Cheremnykh studied with K. A. Korovin and S. V. Maliutin at the Moscow School of Painting, Sculpture, and Architecture from 1911 to 1917. He taught at the V. I. Surikov Moscow Art Institute from 1949 to 1962, becoming a professor there in 1950. Cheremnykh was the creator of the OKNA ROSTA and one of the creators of the OKNA TASS. He worked for several newspapers and for the magazines Krokodil (from 1922), Bezbozhnik u Stanka, and Smekhach. Cheremnykh’s work is rich in satiric allegory and symbolism, tending toward grotesque solutions that have a tremendous effect upon the viewer. In his posters and caricatures dealing with international and domestic topics, he frequently used montages of drawings devoted to related subjects and different graphic techniques. Cheremnykh also worked as a book illustrator and as a stage artist. A recipient of the State Prize of the USSR in 1942, he was also awarded the Order of the Badge of Honor and various medals.

PROVENANCE INFORMATION
The current lot comes from the collection of the esteemed collector and art critic Viktor Kholodkov (1948-2015), who fulfilled his passion for books, avant-garde design and paper memorabilia by devoting his life to collecting and dealing of prominent works of Russian graphic art of the first half of the 20th century. Kholodkov acquired a multitude of books and artworks throughout the decades, meticulously labeling and archiving every single item. Many came directly from the most preeminent artists of the time, as well as from their families and estates. He also possessed a vast number of drawings from the famous collection of another avant-garde enthusiast, Nikolai Khardzhiev. After leaving the USSR in 1989 and settling in California, Viktor continued his work as a Soviet art dealer and critic, actively publishing various articles and contributing to several major Russian avant-garde exhibitions across the U.S., such as the 1991 exhibition Russia Under Fire in the 40s on the West Coast and the 1992 Guggenheim exhibition The Great Utopia: The Russian and Soviet Avant-Garde. Kholodkov also contributed to the archives of the biggest American istitutions. His unique selection of over 2000 Russian sheet music covers was acquired by The Library of Congress, and an extensive amount of material related to VKhUTEMAS is now at the J. Paul Getty Museum.

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