Description:

YAKOVLEV, MIKHAIL NIKOLAEVICH (RUSSIAN 1880-1942), Seated Nude, 1924, pencil on paper, 63 x 48 cm (24 3/4 x 18 7/8 in), signed and dated upper left. Fragile condition.

LOT NOTES
Russian painter, master of painting and graphic art, a representative of the neoclassic movement within Art Nouveau. In 1905–-1913 studied at the Art Academy under the tutorship of D.N. Kardovsky. During those years he got acquainted with V.I. Shukhayev who became his creative alter ego. Worked for Satirikon and New Satirikon magazines (1909-1918). Was a member of the Art World group since 1912. In 1914-1915 he travelled through Italy together with Shukhayev. While collecting the ethnic materials for panels of the Kazan railway station, he visited the Far East in 1917, then China, Mongolia, and Japan. Since 1919, Yakovlev lived in Paris. Exposed his works at personal exhibitions in Paris (The Gallery Barbazanges, 1920 and 1921), as well as in London and Chicago. Took part in the exhibitions of the Art World group in the La Boetie gallery and in the Autumn Salon. In 1924–1925 he took part in an expedition to the Sahara Desert and Equatorial Africa, where he created series of paintings and drawings. Published French albums: «Far East in the paintings and drawings of Alexander Yakovlev» (1922), «Chinese theater in paintings, sanguine and sketches of Alexander Yakovlev» (1922) and «A. Yakovlev: African drawings and paintings» (1927). In 1934 he received an invitation to become a professor of the Art Academy in Boston. Today his works are kept in the collections of in the State Tretyakov Gallery in Moscow and the State Russian Museum in St. Petersburg. Several works were acquired by Luxembourg Museum in Paris.

PROVENANCE INFORMATION
The current lot comes from the collection of the esteemed collector and art critic Viktor Kholodkov (1948-2015), who fulfilled his passion for books, avant-garde design and paper memorabilia by devoting his life to collecting and dealing of prominent works of Russian graphic art of the first half of the 20th century. Kholodkov acquired a multitude of books and artworks throughout the decades, meticulously labeling and archiving every single item. Many came directly from the most preeminent artists of the time, as well as from their families and estates. He also possessed a vast number of drawings from the famous collection of another avant-garde enthusiast, Nikolai Khardzhiev. After leaving the USSR in 1989 and settling in California, Viktor continued his work as a Soviet art dealer and critic, actively publishing various articles and contributing to several major Russian avant-garde exhibitions across the U.S., such as the 1991 exhibition Russia Under Fire in the 40s on the West Coast and the 1992 Guggenheim exhibition The Great Utopia: The Russian and Soviet Avant-Garde. Kholodkov also contributed to the archives of the biggest American istitutions. His unique selection of over 2000 Russian sheet music covers was acquired by The Library of Congress, and an extensive amount of material related to VKhUTEMAS is now at the J. Paul Getty Museum.

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